‘unseen’
As a photographer, I explore the relationship between human presence and nature, searching for stillness and simplicity within that dialogue. By removing elements rather than adding them, I aim to reveal what truly remains. The less there is, the more becomes visible.
This process results in intimate, quiet images with an almost graphic and painterly quality. I extend this visual language through various techniques, such as printing on natural handmade paper, creating etchings, and working with natural pigments layered onto the photographic surface. Each work becomes a tactile and contemplative object, where image, material, and process are closely intertwined.
Fine Art Prints
These artworks are created using the Chine Collé technique in combination with etching. In this printmaking process, delicate papers are bonded to a heavier backing during the etching press run. This allows for rich textures, fine details, and subtle color layers, giving each piece a refined and layered appearance.
Hand painted pictures
These photographs are hand-painted using natural pigments. Each piece is carefully enhanced by hand, combining traditional techniques with organic colorants to create a unique and timeless result.
Lenticular
These lenticular photographic artworks create a dynamic visual experience. As the viewer changes position, the image shifts, revealing different perspectives or moments in time. This technique adds movement and depth, making each piece interactive and engaging.